I join Nano every year, even if I know I’m not going to have a chance to write enough to win. This year I hoped to do a bit better, possibly even win. It didn’t happen, but I’m still happy with what I got done.
I haven’t talked much about what I’m working on at the moment. Redwing is at a stage where I’ve mostly got it as good as I can get it, and while I have ideas for a sequel, I decided a few years ago to dive into something different. Well, ok, it still has aeroplanes and all the characters are pilots. But it’s completely different I swear.
The world idea was only a small fraction of the population is Skybound and can withstand altitudes of more than 2000 feet above sea level without suffering from skysickness – a made up illness in this world, with similarities to hypoxia. Skybound people are invited to join an organization called One Sky, kind of a combination of the EU, Red Cross, and NATO. They have aeroplanes.
It’s YA this time, and I’m bringing scenes to my critique group every month, where it seems well received. It’s still early drafts, though, and in the first draft, another Nano project, I had left numerous scenes missing as I moved on to the easier scenes. This year I was filling in those missing scenes through Nano, which is much harder – it slows you down. I might have got far more than the 8700 words I managed if I had been writing something completely new.
But – I’m almost finished plugging in the missing scenes, at which point I can start going back and reconstructing an outline and assessing story arcs, and properly beginning the editing process.
And currently, with nearly all the missing bits added, it’s sitting at about 83k words. When I edit, I tend to add more words than I remove, so that makes it look like it’s going to settle into a nice 100k words, or thereabouts when I’m done. I just seem to have a natural tendency towards that length, which is awesome, because that’s nicely in the range of not too long and not too short for the genre, as far as sale-ability.
I’m excited about this one because it’s a lot more what I think is the definition of “high concept” – that it’s easy to describe what the premise is and what’s interesting about the world and story. My critique group is taking sides with regards to the two male supporting characters – apparently I have a team Zach and team Toby already, though there’s really very little on the romance front. The story’s mainly about the main character learning to fly, at the same time as she learns that One Sky is not the bastion of fairness and acceptance that it presents itself as.
I think it’s got a good shot at finding an agent when it’s ready.